(Source: Jacob Thage, Danish Jewellery, 1990) Just Andersen died in 1943, but his workshop continued under the management of his widow and Ellen Schlanbusch (1902-2005) who worked for the company for a total of 50 years, and who became artistic director.
Karen Strand, Arje Griegst and Jane Wiberg were all apprentices in the post-war period. (Source: Vibeke Marssoe) Volmer Bahner was Denmark's best known specialist enamel company, and was registered from 1962 to 1988.
He worked in the Georg Jensen design department from 1948 to 1962, becoming head of that department in 1950.
Bluitgen opened his own studio in 1961 and was one of the founders of the Danish Crafts Council .
From in the 1990s, and with it one of their young designers, Lasse Lærke, who became chief designer for Aagaard.Used one (or both) of two name stamps and also numbered their designs, many of which are art deco or functionalist in style. Enevoldsen, first registered in Copenhagen in 1950, and produced high quality modernist jewellery. ) developed the Pandora bead concept, which is now one of the biggest jewellery brands in the world.High quality Danish silversmith working in Copenhagen, established 1933.Much of Dennung's work is bold and requires a lot of material, so he tended to use silver plate over base metals.Renowned silversmiths active during the first half of the 20th Century, registered 1920 to 1967 in Copenhagen, Denmark.
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Their production was characterised by an attention to detail, affordability without compromising quality, and a wide variety of innovative modernist designs.Many of these designs incorporated semi-precious stones, both in pendants, brooches and rings.The designs are innovative, especially in the beautiful guilloche enamel floral pieces such as the cala lily, which was made in several colours including a number of blues, white and deep red.This design was used for brooches, earrings, bracelets and even necklaces.These too were made in different configurations and for different body parts!
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Many were specifically designed as presents for young girls, and so the rings, bracelets and necklaces are often quite small in size.
Bluitgen's work has been exhibited throughout Europe and North America and was part of a recent exhibition "Dansk Solv 2000" at the Kolding Museum in Kolding, Denmark.
Bluitgen received awards at the Milan Triennale in 1954 and the Statens Kunstfornd prize in 1976.
These can however be extended by any competent jeweller, as they have usually been assembled with simple jump rings. Berg was active from 1958 to 1983 in Assens on the island of Funen.
Bahner's mark is his initials VB, accompanied by STERLING, DENMARK His work is sometimes also linked to the company CHRISTGAU, and may bear this mark. I was unable to identify this maker for several years, as the jewellery (mostly cufflinks) is marked only with a figural logo.